Feeds

Towards

Towards a subjective collective cartography

40 more maps that explain the world
9 February 2014, by Laurence JenardBlog
Maps seemed to be everywhere in 2013, a trend I like to think we encouraged along with August's 40 maps that explain the world. Maps can be a remarkably powerful tool for understanding the world and how it works, but they show only what you ask them to. You might consider this, then, a (...)
Transmarcations Open Call
Transmarcations experiments with ways to chart heres, wheres and others. This worksession situates itself at the crossing of technolgies with geographies, life's courses, bodies, terrains and deplacements. Transmarcations is interested in the complexity that emerges when cartography meets (...)
16 mm projection and debate
First of a series of performative projections with debate, wednesday september 20th, 7pm @ KAOS Opperstraat 73 Rue Souveraine, 1050 Xl Brussels With the project 21C/19C _ Procedures for Anthropometric Image Reversal, I have been working with archival 19th Century colonial photography. I will (...)

e-traces > informations

This site is carried out within the framework of the project e-traces. It presents a whole of articles collected on various sites of information concerning the movement generalized towards a (...)

Trump’s “Extreme-Vetting” Software Will Discriminate Against Immigrants “Under a Veneer of Objectivity,” Say Experts
This past August, technology firms lined up to find out how they could help build a computerized reality of President Donald Trump's vague, hateful vision of “extreme vetting” for immigrants. At a Department of Homeland Security event, and via related DHS documents, both first reported by The (...)

Routes+Routines

A resource book on public presence, representation, relations, routes and routines.

Koto, angisa, odo interview
19 March, by peteraudio, Meta language, Suriname
Interview met /with Christine van Russel-Henar Christine van Russel-Henar is the driving force behind the Koto museum in Paramaribo. I spoke with her about the way language, oral culture and traditional Surinamese wear are connected. The interview is in Dutch. Below you will find a (...)
wheel in a wheel
16 April 2014, by concentriccityUncategorized
A soundscape composition / A landscape video choreography. Experiencing dialogue with the environment passing through by cycling. Relying on our perception and synchronizing with the flow....
Belgica-Belgika
3 January 2015, by OSPAlfphabet, Belgica-Belgika, OSP-DIN, Wdroge
Stroke fonts with no contrast and capital letters only based on diverse pseudo-generic elements for multi-usages.
RADIO BOSNIE #20 - SPECIAL REMIX
Avec Jérémie Boyard, Digi†al Carnaval et Colin Ponthot du projet Bumperbreak qui ont remixé en musique les mots de la base de données de Parlez-vous Saint-Gillois ? pour le festival Supermouche-Supervlieg. Réécoutez: Radio Bosnie #20 - REMIX http://bumperbreak.com/ (...)

Champagne

Nurse’s adventures in sound and sight

SPECIMEN
3 May, by Administrator



Hygiene: cotton patchwork, digital print & silkscreen, 145 x 750 cm – 2017

Objects in Common Worksession – RAW and unprocessed
12 April 2016, by admin
In collaboration with Medialab Prado Constant organised the worksession ’Objects in Common’ as the final event in a series that started in 2015 with ’Funcionamientos: Objects in Common and Diverse Bodies’ followed by ’Interactivos? Material Cultures in the digital age’ and ’Grigri Pixel: makers and (...)
Newton Diaries
28 November 2012, by michael
In 1993, Apple released the Newton MessagePad, the first so-called “Personal Digital Assistant”. A kind of forerunner to today’s smart/i phones, the device worked as a kind of virtual notepad, allowing free-form entry of both text and drawing mixed together … Continue reading (...)
HTML sauce cocktail, sauce à part
15 February, by OSPNews
PREFACE Ce texte a été initialement écrit pour la revue Back Office. Pour des raisons de format, il n’y sera pas publié, mais nous sommes heureux de le partager ici avec vous dans sa version longue. HTML2PRINT SANS SAUCE Depuis sa création en 2006, Open Source Publishing dessine des mises en page et code avec des logiciels […]
A Pre-emptive History of the Google Cultural Institute
5 December 2016, by Submondo2
← Older revision Revision as of 22:44, 5 December 2016 Line 46: Line 46: The dematerialisation of public collections using infrastructure and services bankrolled by private actors like the GCI needs to be questioned and analyzed further in the context of heterotopic institutions, to understand (...)
La brique internet
27 September, by agnezProgramme
Auto-hébergement et internet neutre Quand : Samedie 28 octobre 2017 Où : Atelier Émile Rue Émile Feron 106 St Gilles Programme : 10:00 Café blabla 10:30 Atelier autour de la brique internet, de l'auto-hébergement, internet neutre et younohost. 12:30 Auberge espagnole et plus de blabla 14:00 suite (...)
Doorstop
15 Rue Vanderperren, Jette An improvised doorstop preventing the frontdoor of this apartment building to swing open widely.
The blue eyes of the argopecten irradians
17 November, by Nicolas MalevéVision, animal media, eye, nervous system, panoptics, retina, zoom
Common Name: Bay Scallop, Scientific Name: Argopecten irradians, Specimen #: 27, Size: 2.5 inches acBay Scallop, Scientific Name: Argopecten irradianross (side to side), Notes: specimens ordered from Gulf Specimen Marine Laboratories: (850) 984-5297, gulfspecimen.org, collected near Panacea, (...)

Paramoulipist

WORK IN PROGRESS: a tool for sharing literature and digital narratives

The story of two sacred trees – a modern fairy tale
28 March, by AnAlgorithmic Storytellers, Exploring
This story has been written using a Python script and scraped data from the website of Jubelparkmuseum. The story, the code and all the sources are published under a Free Art License: http://artlibre.org. The main scripts were developed in the framework of DiVersions, a residency of Constant in (...)
Festival Mondial des Cinémas Sauvages
APPEL A FILMS SAUVAGES ! jusqu’au 30 mars 2017 Inscriptions des films en ligne : http://www.festival-cinemas-sauvages.net/fr/formulaire/ Le Festival Mondial des Cinémas Sauvages veut montrer des films libres dans leurs manières de se fabriquer, libres dans leurs manières d’être diffusés. Pas de (...)