====== VJ12 expo, video programme, readinglist ======
[[vj12 | VJ12 Brainstorm]] | [[Vj12 Press Release | VJ12 Press Release]] | [[Vj12Expo | VJ12 Expo, video programme, readinglist]] | [[VJ12BookNotes | Vj12 Book's notes]] | [[VJ12LecturesNotes | Vj12 Lectures notes]]
===== Exhibition =====
[[VJ12 Inventory]]
==== Object, installation, monitor, sound ====
**Surveillance wall**\\
//Denis Devos//\\
Denis came with the idea to make an installation with multiple softwares scanning the traffic fro the internet connection in the conference and expo-room. Multiple screens showing raw data, filtered images, or visualisation of traffic. The screens are visible for everyone in the conference.
Some softwares we looked at are:
* **driftnet** //Chris Lightfoot// http://www.ex-parrot.com/~chris/driftnet/ it looks at your traffic and filters out the images which it displays in a window -- install and try with interface option eth0 if you are on the cable (driftnet -i eth0) works for me and is fun to test if we have an open wifi in S/Zenne driftnet could show the images that are looked at by people browsing the web using the open connection, just like the upsidedownternet a practical way to make data screening tangible ? allthough I like the upsidedownternet best for its radical intervention
* **upsidedownternet** http://www.ex-parrot.com/pete/upside-down-ternet.html Wifi is open to all visitors, but all browsers will show images from the net upside down.
**Textile object** \\
//Lina Kusaite//\\
Object with text of the documents involved in her own procedure of being naturalised as a Belgian
**Radio Workshop**\\
//Pierre De Jaeger + participants//\\
AM transmitted?
**Log of the first internet connection**\\
http://www.lk.cs.ucla.edu/first_words.html
"a record of the first message ever sent over the ARPANET. It took place at 22:30 hours on October 29, 1969. This record is an excerpt from the "IMP Log" that we kept at UCLA."
**Paper Music**\\
//Alfredo Costa Monteiro//\\
http://www.archive.org/details/hr021 \\
registration of his talk @ mediatheque
and / or regsitration happy new ears
and / or audio on archive.org \\
THIS IS ALSO PART OF THE VIDEO PROGRAM \\
**Code Swarm**\\
//Michael Ogawa//\\
http://vis.cs.ucdavis.edu/~ogawa/codeswarm/
Software that makes animated timeline from metadata of svn commits
Nice example is the history of Python: http://www.vimeo.com/1093745?pg=embed&sec=1093745 \\
shown side by side in four simultaneous mplayer loops \\
**Haute Surveillance, Francois Bucher**:\\
This video develops from a real event that took place during a theater seminar in the masters degree program at the University of Antioquia in Medellín, Columbia. The seminar occured uring one of the university's worst periods of violence. Two students in charge of a presentation on the life and work of French author Jean Genet decided to play a hoax on their fellow students - a hoax that involved an armed kidnapping. Their idea was to perform the ethos of Genet's work rather than to represent it in a conventional way...
**e-traces**\\
//Michel Cleempoel//\\
Cork board with daily updated news from http://etraces.constantvzw.org/informations/
**Oppera Internettikka - Protection et Sécurité**\\
//Annie Abrahams, Igor Stromajer//\\
"Oppera Internettikka - Protection et Sécurité" explores the poetics of a contemporary sound form -- opera as a sound event for the audience in the form of a live internet audio broadcast. In that way it combines the notion of the world wide web communication protocols and classical artspace -- an opera house. Opera is a very strictly coded form of art with a lot of passion, and internet is a lonely place of solitude and intimate communication which is becoming more and more fragile, dangerous and suspicious."
http://www.intima.org/oppera/oips/
**Human Calculation Machine**\\
//Michael Murtaugh + participants//\\
Video documentation of workshop in VJ12
**All our N-gram belong to you**\\
Here at Google Research we have been using word n-gram models for a variety of R&D projects, such as statistical machine translation, speech recognition, spelling correction, entity detection, information extraction, and others. While such models have usually been estimated from training corpora containing at most a few billion words, we have been harnessing the vast power of Google's datacenters and distributed processing infrastructure to process larger and larger training corpora. We found that there's no data like more data, and scaled up the size of our data by one order of magnitude, and then another, and then one more - resulting in a training corpus of one trillion words from public Web pages.\\
6 DVD's with all data from Google 2006\\
http://googleresearch.blogspot.com/2006/08/all-our-n-gram-are-belong-to-you.html
//display option:\\
stack of dvd's with print out of the 'read me' file \\
http://www.ldc.upenn.edu/Catalog/docs/LDC2006T13/readme.txt
//
==== Posters ====
** CCtv manifesto poster**\\
//Ambient.tv//\\
manifesto for surveillance camera filmmakers
**Print/poster**\\
//Anne James Chatton//\\
http://aj.chaton.free.fr/portraitsengl.html
http://aj.chaton.free.fr/portraitsengl/architecte.html
**Unicode poster no. 1**\\
//Mark Longair//\\
http://www.mythic-beasts.com/~mark/random/unicode-poster/
http://katakres.files.wordpress.com/2009/04/090403_0422.jpg\\
**Unicode poster no. 2**\\
//decodeunicode project//\\
http://shop.designinmainz.de/product_info.php/info/p26_decodeunicode---8211--Basic-Multilingual-Plane--BMP--Plakat.html
**Flocking Diplomats 06 **\\
//catalogtree//\\
series of posters (October 2008)\\
Datavisualisation: Parking violations by diplomats between 1998 and 2005. Of all 143702 violations, 141369 were suitable for geocoding, resulting in 16355 unique loactions. In collaboration with Lutz Issler (geocoding and programming).
http://www.catalogtree.net/projects/parking
**Van Abbe Museum poster**\\
//Jan van Toorn//\\
http://www.gerritrietveldacademie.nl/designblog/wp-content/uploads/2009/05/vantoorn_abbemuseum1.jpg
==== Web and computerworks ====
**Yoogle**\\
//Michel Cleempoel, Nicolas Malevé//\\
A computer with it installed? Any other way to present it?
**Rebuntu**\\
//Danja Vasiliev//\\
http://k0a1a.net/rebuntu/rebuntu-screencast-20mb.ogv\\
re:buntu is an illustration of a system making decisions by itself, committing to self-maintenance and self-destruction. The system is continuously reloading a copy of itself within itself until the memory runs out. When no free memory is left the system needs to decide which one of the copies of itself it shall kill in order to reproduce itself again, again and again... http://k0a1a.net/rebuntu
**Lawbot and the Case of the Missing Copyright Infringers**\\
//Ginger Coons//\\
http://adaptstudio.ca/\\
http://adaptstudio.ca/lawbot/
**As the commander of an army**\\
//Femke Snelting//\\
Elisabeth Beeton sound/screenwork \\
http://snelting.domainepublic.net/files/isabella.zip
**Goodiff**\\
//Alexandre Delaunoy//\\
http://www.goodiff.org/\\
GooDiff is a service for automated tracking of semantic changes in web service policies.
**epicpedia**\\
//Annemieke van der hoek//\\
http://www.epicpedia.org/
**logowiki**\\
//Wayne Clements//\\
http://www.in-vacua.com/logo_wiki.html\\
logo_wiki identifies military, corporate, and governmental editors of Wikipedia ('the Free Encyclopedia'). It does this by tracing back the editor's IP address. logo_wiki shows recently edited 'diffs' pages (with changes highlighted) and shows who the shadowy editor is. logo_wiki does this by replacing the Wikipedia logo with the editor's logo. Military, corporate and governmental users are responsible for many thousands of unacknowledged alterations to Wikipedia pages. logo_wiki reveals this process occurring in real time.
**notvalid.html**\\
//Jonathan Vingiano//\\
""Not Valid" is an ongoing experiment concerning the interpretation of invalid html. The work itself seems to be a series of words in a variety of colors, though each word has been assigned the color value of itself. For example, the html tells the browser that the word "freedom" should also be the color "freedom." The browser then chooses what color "freedom" should be. Different browsers will interpret "Not Valid" in a different manner."
[[http://jonathanvingiano.com/notvalid.html]]
**Google will eat itself**\\
//by UBERMORGEN.COM feat. Alessandro Ludovico vs. Paolo Cirio//\\
We generate money by serving Google text advertisments on a network of hidden Websites. With this money we automatically buy Google shares. We buy Google via their own advertisment! Google eats itself - but in the end "we" own it!\\
http://gwei.org/index.php
**<$BlogTitle$>**\\
//jodi//
exposed the myth that blogs are the medium that realized total freedom of speech, when Blogger interpreted <$BlogTitle$> as a malicious spamblog and actually blocked 3 of the blogpages Jodi created.[7] In this case, the process of making meaning became very literally a process of destruction. Moreover, it became clear at once that blog users actually have to answer to a built-in political system. This politics is based on a system governed by the desire and belief that it will be used to distribute knowledge and opinions in a specific, ‘preformatted’ way. Bloggers that do not answer to these conventions risk the possibility of being blocked or to have their blogs completely deleted."\\
http://blogspot.jodi.org/
**One sentence contained within every HTML tag in alphabetical order**\\
//Evan Roth//\\
All possible HTML tags in one page (view source)\\
http://evan-roth.com/all-tags.html
==== Maybe ====
**User Labor Markup Language (ULML)**\\
//Burak Arikan//\\
http://www.userlabor.org/\\
With User Labor, we propose an open data structure, User Labor Markup Language (ULML), to outline the metrics of user participation in social web services. Our aim is to construct criteria and context for determining the value of user labor, which is currently a monetized asset for the service provider but not for the user herself. We believe that universal, transparent, and self-controlled user labor metrics will ultimately lead to more sustainable social web.
**MYPOCKET**\\
//Burak Arikan//\\
MYPOCKET is a living physical/digital process that predicts what will I buy next. It explores and reveals essential patterns in the daily transactions of my bank account and discloses my personal financial records to the world. Archived on the site, and updated daily, more than three years of my spending history is analyzed by the custom software to predict future spending everyday; these predictions sometimes determine my future choices, creating a system in which both the software and myself adapt to one another. Influenced by today's techno-cultural milieu, MYPOCKET presents a hybrid interface to this living physical/digital process.
http://turbulence.org/Works/mypocket/graph/\\
**Bluescreen**\\
CHECK
http://dos.ilbm.info/links.txt\\
CHECK
Document as performance, performance as document\\
CHECK
**Cookiesensus**
//Andrea Fiore//\\
Can't find project back? Does he maintain it?
**Processing sample**\\
http://stateoftheunion.onetwothree.net/\\
John Resig server log visualisation (Nicolas?)\\
**AOL dataset**\\
Nicolas: what would you want to show?\\
http://www.techcrunch.com/2006/08/08/aol-data-first-web-interfaces-up/
**Referendum EU constitutions**\\
Nicolas ... ?
**Arnolfini project**\\
Notworking ... Geoff Cox
**Google adsense**\\
http://www.christophebruno.com/
**DN-Vorscher**\\
//Peter Luining//\\
http://www.dnvorscher.org/tools/index.html\\
Analysing the domain name market
**IP-Poetry Project**\\
//Gustavo Romano//\\
http://www.youtube.com/watch?v=GryZYv3Li6w\\
The IP Poetry project involves the development of a software and hardware system that uses text from the Internet to generate poetry that is then recited in real time by automatons connected to the web.
** A selection of manuals **\\
5? or 20? different kinds of manuals, from software to cookbook? Ask Ivan + OSP?
**screensavers: webcollage, electric sheep (and ...)**\\
http://www.jwz.org/hacks/
'webcollage' is an ancient screensaver: it feeds random words to a search engine and displays the returned imageresults as a screensaver
**Agency**\\
//Kobe Matthys//\\
http://www.agentive.org/ (? under construction...)
Printbare database met quasi objecten
**X. v. Prefect of... – Counsel's speech for a legal precedent **\\
//Patrick Bernier, Olive Martin, Sylvia Preuss-Laussinotte & Sébastien Canevet//\\
http://subversivmesse.net/exhibitors/cvs/patrick-bernier-olive-martin-sebastien-canevet-sylvia-preuss-laussinotte/x-and-y-v-france-the-case-for-a-legal-precedent/article_view?set_language=en\\
Considering that French and EU lawmakers are constantly restricting immigrants' rights on the one hand, and zealously expanding the domain of copyright on the other hand, Bernier and Martin set out to make their fictional scenario a template for real social action. With Sebastien Canevet and Sylvia Preuss-Laussinotte, two lawyers specialising respectively in intellectual property rights and immigrants' rights, they developed a legal argument intended to be used by undocumented migrants and their legal representatives.
**UnFamilia**\\
//Michelle Herman//\\
Can a simple test create an accurate image of a human personality complete with the delicate nuances of our behavior, our thought processes, our emotional scars and baggage? http://www.michellelisaherman.com/
http://www.unfamilia.org (any development since 2008? should we show this graph: http://www.unfamilia.org/images/thefamily.png ?)
**Marie and Otto Neurath: Transformers**\\
Reproductions from black and white photographs of the Neuraths at work\\
(Digital scans are with Robin Kinross)
**Personas**\\
http://personas.media.mit.edu/personasWeb.html\\
"How the web sees you" (Flash)
http://burak-arikan.com/terms-conditions\\
Prints of terms and conditions. Special typeface.
**Take / Workbook**\\
//Emma Davis//\\
Take uses 80 'keywords' from a dating website to explore language and memory, association and generalisation. The work operates online as well as being disseminated through installation.\\
Workbook is an generative online creative project; a drawing which manifests by performing 'links' to create dialogue with the connections it makes with the wider world wide web, my research, various other image and text and back again.\\
http://www.rhizome.org/profile.php?1052339\\
http://www.ninebeginnings.org (site off line)
**my spam box** \\
//Peter Luining//\\
http://www.contemporaryart.nl/OOG/MYSPAMBOX/index.html \\
Spam is een alledaags verschijnsel op internet. Maar door filters en gewenning weten veel mensen niet meer hoe het er eigenlijk uitziet. Om dit laatste te belichten archiveert Peter Luining alle spam die hij de komende week binnenkrijgt.
**Poesie de tickets d'achat **\\
//Jacques Lizene//\\
in MuHKA exhibition on Jizene, he showed a shopping poem, which he 'wrote' by buying articles in the right order so that their first letters appearing on the ticket together formed a poem.
**<$BlogTitle$>**\\
//Jodi//\\
Selfgenerating blog
http://blogspot.jodi.org/
**Unicode poster no. 2**\\
//Ian Albert//\\
2: "My fascination with writing systems gave me the idea to create a poster containing every Unicode character. Unicode is a method for encoding characters, like ASCII, but it can represent virtually every writing system in the world, not just English. I estimated I could print the whole thing on about a 36"×36" poster. Well, my estimates were off. It turned out to be about 6 feet by 12 feet. Likewise, the process of creating the poster turned out to be much more involved than I imagined." http://ian-albert.com/misc/zoom-unicode.php
===== On-line video program =====
An annotated playlist with on-line videomaterial responding to the margins of datastreams. Interviews, historic material, desktop recordings, screen captures to etc. Download playlist and play in your favourite videoplayer (VLC)
\\
(below is a testfile)\\
[[http://www.videomagazijn.org/extras/VJ12.pls]]
==== Shades of grey literature ====
**Log of the first internet connection**\\
http://www.lk.cs.ucla.edu/first_words.html
"a record of the first message ever sent over the ARPANET. It took place at 22:30 hours on October 29, 1969. This record is an excerpt from the "IMP Log" that we kept at UCLA."
**Robin Kinross and the political and social consequences of the DINA4 standard**
**Pierre Bourdieu, Les jugements de goût**\\
http://blog.bafouillages.net/public/Videos/Bourdieu_gout.ogv\\
"un entretien avec Pierre Bourdieu sur la question du goût et de sa fonction de classement, de distinction. C’est l’occasion aussi, pour l’auteur, de glisser un mot de regret concernant le titre de ce fameux ouvrage, La Distinction, qui a été mal compris et de revenir une nouvelle fois sur la critique du « déterminisme » dont il ferait preuve.
Cette vidéo est issue du DVD « Penseurs de notre temps », édité par le SCÉRÉN-CNDP ; l’entretien est conçu et réalisé par Dominique Bollinger."
[[http://blog.bafouillages.net/index.php?post/2007/09/23/Pierre-Bourdieu-Le-jugement-de-gout]]
**Paper Music**\\
//Alfredo Costa Monteiro//\\
http://www.archive.org/details/hr021 \\
registration of his talk @ mediatheque
and / or regsitration happy new ears
and / or audio on archive.org \
**Webconference with Susan Leigh Star**\\
http://www.lancs.ac.uk/fass/video/stsmixtures/star/\\
Susan Leigh Star over: invisible work, articulation work, naturalized work (toestemming vragen aan Lancaster University?)
**Webconference with Lucy Suchman**\\
http://www.lancs.ac.uk/fass/video/stsmixtures/s...\\
Lucy Suchman over: Robot Biographies (toestemming vragen aan Lancaster University?)
**The Future Is Not What It Used To Be** \\
http://en.wikipedia.org/wiki/Erkki_Kurenniemi\\
(Finland 2002)
This documentary by Mika Taanila, the director of Futuro – A New Stance for Tomorrow (1998), features never-before-
seen archival material from the early years of electronic art, including excerpts from Kurenniemi’s unfinished experimental short films.
The documentary entwines the past with the present, i.e. with the protagonist’s manic archival project, in which
Kurenniemi records his thoughts, everyday observations, images and objects, constantly and obsessively. All this in
an effort to combine man and machine to reconstruct the soul of man. (avanto festival, 2002)
**De Rekenaarsters**\\
http://www.radiovisie.eu/nl/nieuws.rvsp?art=00053936\\
35 minute docu about the pre-programmers generation of women who worked as 'counters' for the post and giro services, why there profession was regarded as typically female, and the prprofession of programmer that grew out of their job as typically male.
**'SPAM interactive concert' by MéTAmorphoZ **\\
http://www.sat.qc.ca/post.php?lang=en&id=43&post_id=1681
**Television: an address, Francois Bucher**\\
a sequence of CC video's of several people commenting on television news.
\\
http://www.archive.org/search.php?page=1&query=(creator%3A%22Francois%20Bucher%22%20AND%20(subject%3A%22television%22))%20AND%20(format%3Ampeg%20OR%20format%3Aquicktime%20OR%20format%3Areal)
Lawrence Lessing, Ernesto Samper, Martha Rossler etc etc, all to be shown I think.\\
Some are in Spanish, the more reason to include them in AA to be translated.
==== The nature and life of data ====
**The politics and poetics of DeCSS** \\
Gabriela Coleman \\
http://openvideoalliance.org/videoarchive/
**Credit Synthesis**\\
Jonathan Vingiano\\
http://vimeo.com/5072895
**Pirate Party Campaign Message**\\
http://www.youtube.com/watch?v=3Ixl68QAhGw
**Eben Moglen, culture et internet** \\
lecture 5 juin 2008, transcription to be put in AA here: \\
http://www.laquadrature.net/fr/conference-deben-moglen-du-jeudi-5-juin-la-video
**Electric Sheep** \\
[[
http://www.youtube.com/swf/l.swf?swf=http%3A//s.ytimg.com/yt/swf/cps-vfl98307.swf&video_id=LwQ929SMG1E&rel=1&eurl=&iurl=http%3A//i1.ytimg.com/vi/LwQ929SMG1E/hqdefault.jpg&sk=0B0sQzapOFSSb5paQqSAIO-sjce8osmQC&app=youtube_gdata&f=videos&cr=US&avg_rating=4.875&length_seconds=585&allow_ratings=1&allow_embed=1&title=Tubular%20TV%27s%20Sheepumentary|Scott Draves explains the sheep-saver]]\\
"All these moments will be lost in time, like tears in rain." \\
** The Internet as Playground and Factory**\\
http://vimeo.com/user2103510/videos\\
Trebor Scholz serie interviews guests for his conference
** Floran Latrive **
** Benjamin Bejart **
** Jeremy Zimmerman **
Imaginary property
**Clay shirky - here comes everybody** \\
scetchy transcript on: http://timbauer.bauerfive.com/2008/05/07/clay-shirky-author-the-world-is-drunk-on-tv/
http://blip.tv/file/855937?filename=Web2Expo-20Expo2008ClayShirky886.mp4\\
tracing the 'pluto' article on wikipedia \\
one year of tv watching in the US allows for the amount of thought necessary to build 2000 wikipedias
(200 billion hours of watching vs. 100 million hours of writing) \\
the physics of participation \\
taking cognitive surplus and make / do something interesting \\
a dvd that ships without a mouse ships broken
'we are looking for the mouse'
**Web 2.0 Expo SF 2008: Jonathan Zittrain **\\
http://blip.tv/file/855811\\
web2.0 scepticism \\
who owns the machine owns the content \\
security, central gate keepers as the scary structure of the future \\
regulators stepping in \\
reflection on religious war between clients and servers \\
book: future-of-the-internet-and-how-to-stop-it \\
market will obstruct wikipedia like open initiatives \\
read those terms of service ! \\
Whom do we trust to decide what is good and bad? \\
Bottom up solutions should stay generative to avoid top down security
**The Human Browser**\\
Christophe Bruno\\
http://www.youtube.com/watch?v=EykmWcNKd1A
**Is Facebook Illegal?** \\
Posted on: 27 August 2009 by Jesse Brown \\
http://feeds.tvo.org/~r/tvo/searchengine/~3/qScK5MfojMc/SE_Full_20090824_800697_IsFacebookIllegal_0x0_40k.mp3
As Canada's Privacy Commissioner considers taking Facebook to Federal Court, the possibility looms that Canada will be the first country to deem Facebook illegal. Privacy lawyer David TS Fraser discusses what this means for Facebook, the Canadian Internet, and for privacy itself.
**The Human Flesh Search Engine**\\
Posted on: 27 August 2009 by Jesse Brown\\
In the absence of a fair and open judicial system, Chinese Netizens have become digital vigilantes. Also: why Ignatieff should give his books away for free.
http://www.tvo.org/podcasts/searchengine/audio/SE_Full_20090810_800696_HumanFlesh_0x0_40k.mp3
==== Performative instructions ====
**Alan Kay: Doing with Images Makes Symbols (1987)**\\
http://www.archive.org/details/AlanKeyD1987\\
Alan lines up a number of systems including Englebart's Sketchpad, the FlexMachine, the RAND tablet and Smalltalk, all of which were way ahead of their time and demonstrate some concepts not carried through even today. This is an entertaining (for the UI nut) and strong case for software & imagination being the bottleneck of current computing, and of Mr. Kay's mastery of user interfaces. Highly recommended! \\
**DESKTOP IS**\\
http://www.easylife.org/desktop/\\
check the first desktop art show
**Douglas Engelbart - Mother of all demo's**\\
http://video.google.com/videoplay?docid=-8734787622017763097
**“Put-that-there”: Voice and gesture at the graphics interface** \\
http://www.youtube.com/watch?v=RyBEUyEtxQo \\
Early project by Chris Schmandt (1979); MIT Media Lab Speech Interface group video collection \\
Recent technological advances in connected-speech recognition and position sensing in space have encouraged the notion that voice and gesture inputs at the graphics interface can converge to provide a concerted, natural user modality. The work described herein involves the user commanding simple shapes about a large-screen graphics display surface. Because voice can be augmented with simultaneous pointing, the free usage of pronouns becomes possible, with a corresponding gain in naturalness and economy of expression. Conversely, gesture aided by voice gains precision in its power to reference. \\
**Jodi - My Desktop OS X 10.4.7** \\
Oral desktop tour \\
**Welcometothescene** \\
http://www.welcometothescene.com\\
A fictional websoapin the shape of desktoprecordings. 2 seasons of 20 episodes under CC license. Fragment shown during Pirate Cinema Brussels, february 09.
**Welcome to teh Scene**\\
“This show is a spoof of the horrid “Welcome to the Scene”, a program that purports to be “cool” as it follows the really inaccurate life of a top-level warez dude. “Welcome to teh Scene” parodies its brethen, and makes fun of its inaccuracies as well as script-kiddies overall. The movies are also really well thought out, with good camera placement and editing. As well as being genuinely funny.
http://blog.jmcardle.com/?p=20
download episode
http://www.archive.org/details/Teh_Scene_S01E02_XPC
===== Readingtable =====
==== Shades of grey literature ====
Alexander R. Galloway, Protocol. Paperback edn (The MIT Press, 2006) http://openlibrary.org/b/OL9418702M/Protocol
Bergson, Henri, Matter and memory. English ((Mineola, N.Y): Dover Publications, 2004) http://openlibrary.org/b/OL3301955M/Matter_and_memory
Bowker, Geoffrey C., and Susan Leigh Star, Sorting Things Out. Paperback edn (The MIT Press, 2000) http://openlibrary.org/b/OL9521843M/Sorting_Things_Out
Galloway, Alexander R., and Eugene Thacker, The Exploit. (Univ Of Minnesota Press, 2007) http://openlibrary.org/b/OL11384432M/The_Exploit
Gérard Genette, Fiction & diction. ((Ithaca): Cornell University Press, 1993) http://openlibrary.org/b/OL1415693M/Fiction___diction
---, Palimpsests. ((Lincoln): University of Nebraska Press, 1997) http://openlibrary.org/b/OL1011001M/Palimpsests
---, Paratexts. English ((Cambridge, New York, NY, USA): Cambridge University Press, 1997) http://openlibrary.org/b/OL766609M/Paratexts
Ivan Illich, Shadow work. ((Boston, London): M. Boyars, 1981) http://openlibrary.org/b/OL4112996M/Shadow_work
McLuhan, Marshall, The Gutenberg galaxy. English (([Toronto]): University of Toronto Press, 1967) http://openlibrary.org/b/OL15321818M/Gutenberg_galaxy
Michel de Certeau, The Writing of History. (Columbia University Press, 1992) http://openlibrary.org/b/OL9696571M/The_Writing_of_History
Raymond Queneau, Exercises de style. French (([Paris]): Gallimard, 1988) http://openlibrary.org/b/OL18434904M/Exercises_de_style
Roland Barthes, The pleasure of the text. ((New York): Hill and Wang, 1975) http://openlibrary.org/b/OL18674105M/pleasure_of_the_text
Star, Leigh, Standards and their stories. ((Ithaca): Cornell University Press, 2009) http://openlibrary.org/b/OL16960548M/Standards_and_their_stories
==== The life and nature of data ====
Appadurai, Arjun, Joke Brouwer, Simon Conway Morris, Antonio Damasio, Manuel De Landa, Dyson, et al., Information Is Alive. (NAi Publishers, 2003) http://openlibrary.org/b/OL9106382M/Information_Is_Alive
Edward R . Tufte, The Visual display of quantitative information.. ((Cheshire, Conn): Graphics Press, 1983) http://openlibrary.org/b/OL13977932M/Visual_display_of_quantitative_information.
Edward R. Tufte, The Visual Display of Quantitative Information. (Graphics Press, 1992) http://openlibrary.org/b/OL8516106M/The_Visual_Display_of_Quantitative_Information
---, Visual explanations. ((Cheshire, Conn): Graphics Press, 1997) http://openlibrary.org/b/OL736758M/Visual_explanations
Information design, ((Cambridge, Mass): MIT Press, 1999) http://openlibrary.org/b/OL389363M/Information_design
John Seely Brown, The social life of information. ((Boston): Harvard Business School Press, 2002) http://openlibrary.org/b/OL3584104M/social_life_of_information
Jonathan Zittrain, The Future of the Internet--And How to Stop It. (Yale University Press, 2008) http://openlibrary.org/b/OL10319529M/The_Future_of_the_Internet--And_How_to_Stop_It
Kinross, Robin., Transformer: Principles of Making Isotype Charts. (Hyphen Press, 2009).
Nader Vossoughian, Otto Neurath. ((Rotterdam, London): NAi Publishers, Art Data [distributor], 2008) http://openlibrary.org/b/OL22486765M/Otto_Neurath
Ramioul, Monique, Ursula Huws, and An Bollen, Measuring the information society.
Yochai Benkler, The Wealth of Networks. (Yale University Press, 2007) http://openlibrary.org/b/OL9710024M/The_Wealth_of_Networks
Processing Books
==== Performative instructions ====
Bertolt Brecht, Brecht on theatre. ((New York): Hill and Wang, 1992) http://openlibrary.org/b/OL22752169M/Brecht_on_theatre
Gui Bonsiepe, Interface. ((Maastricht): Jan van Eyck Akademie, 1999) http://openlibrary.org/b/OL15525955M/Interface
Henri Lefebvre, Rhythmanalysis. (Continuum International Publishing Group, 2004) http://openlibrary.org/b/OL8168894M/Rhythmanalysis
In memory's kitchen, ((Northvale, N.J): J. Aronson, 1996) http://openlibrary.org/b/OL976551M/In_memory%27s_kitchen
Janet Theophano, Eat My Words. Paperback edn (Palgrave Macmillan, 2003) http://openlibrary.org/b/OL8400204M/Eat_My_Words
Lucy A. Suchman, Human-Machine Reconfigurations. (2007) http://openlibrary.org/b/OL23719016M/Human-Machine_Reconfigurations
R. Buckminster Fuller, Operating Manual for Spaceship Earth. (Princeton Architectural Press, 2000) http://openlibrary.org/b/OL9022033M/Operating_Manual_for_Spaceship_Earth